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Victorian hospitality veteran, Matt Nikakis, to open new bar in restored church hall

A new local bar is breathing new life into the historic old Trinity Hall on the corner of Brighton Road and Chapel Street in St Kilda. It is set to open in early April.
 
Originally Holy Trinity Church Hall, established in 1925, the building has long been a gathering place for the local community. Now, owner Matt Nikakis is carrying on its legacy with a beer garden, event space and food truck rotation.
 
As a third-generation hospitality veteran with two hotels under his belt, Trinity is Nikakis’ first purely food and drink-focused venture.


“My grandfather George came from Greece in 1920 and owned a café in the city,” he says.
 
“My father Nick dedicated his life to hospitality, later becoming president of the Australian Hotels Association for many years. Now as a third-generation publican, I take pride in my family name and the years we have spent in the hospitality industry.”

In addition to twelve tap beers, the bar menu will herald a selection of Australian wines and signature cocktails, plus an expansive range of non-alcoholic options.

Matt Nikakis inside his new venture, Trinity.

Trinity’s entrance is marked by its red brick exterior, iconic arched doors and the shining silver airstream that sits in front of them. Nikakis has renovated the caravan to work as a functioning food truck, offering a considered range of burgers and bar bites. The rest of the spacious front courtyard is reserved for two additional food trucks which will alternate nightly.

The interior has undergone a full renovation including the addition of lush green booths, copper beer tanks, and a deep blue bar that spans the length of the main room. Meanwhile, the church hall’s original hardwood trusses and iconic windows have been restored to peak condition.

What was once a community performance space is now a private mezzanine with its own separate bar. Perfect for special events, the window-lined room offers uninterrupted views of Trinity’s main entrance as well as the bluestone façade of Holy Trinity Church, which sits just behind the venue on the same block.

Also at the rear is a smaller courtyard and designated kid’s play area, featuring a 1960s wooden ski boat nestled in the sand pit.

“A throwback to the old-school monk beer brews, church dances and school fetes, the design draws upon the history and community of Holy Trinity Hall and reinvents this venue for the next generation of St Kilda, Elwood and Elsternwick communities,” says Luke Ponti of BSPN, the architects and interior designers behind the redevelopment, who recently completed Melbourne CBD’s recent Covid Safe Outdoor Dining Activation.

Pet and child-friendly with a capacity of 300, Trinity is poised to become a landmark amongst Melbourne’s hospitality scene.

“It’s a venue that will make all demographics comfortable and welcome,” says Nikakis.

Opening hours
Sundays – Wednesdays 12.00pm to 11.00pm
Thursdays – Saturdays 12.00pm to 1.00am

Memories of growing up in the 1970s: The rise of retro and Australia’s ‘Golden Years’

By Kathy Karageorgiou

The popularity of things retro and vintage has been increasing over the years, yet many may merely shrug this off as another fashion trend.

As a Greek-Australian living in Greece for many years (including a few trips back to Australia), I have noted with curiosity, a rise in ‘retro/vintage’ shops and associated memorabilia in both countries. Furniture, vinyl records, and clothing with a 50’s, 60’s and 70’s look, for example, seem to be in demand. Now, even the 80’s and 90’s are considered ‘retro’ eras.

‘Retro’, comes from the word retrospective. A dictionary meaning of retro, cites it as “similar to styles, fashions, etc. from the past.” Vintage though, refers to the time something was made, whereas retro is about the appearance of an object or style, regardless of its date of actual construction.

Apart from clever marketing campaigns perhaps, what is this current appreciation of retro (and vintage) due to? Could this retro emergence attest to something beyond a consumer fad, and be privy to a deeper, psychological yearning? Does the popularity of retro style, of essentially nostalgically looking back, refer to something that is perhaps lacking in our lives today?

My love of retro does admittedly symbolise a perhaps romanticised yearning for the past. Memories … of my childhood, of growing up in Australia in the 70’s which I truly do consider a ‘Golden Age’.

Retro objects of that era which come to mind, are deeply interlinked with fond memories; the above ground, backyard pool, the garden sprinkler that robustly spun around, while we as kids robustly ran around and into it, squealing with delight. The retro-loving link here is those shimmering, hot Aussie summer days, when one was a carefree child; when one’s parents were younger, … when everything seemed so bright!

And bright, things certainly were back then! Even our kitchen was bright – an almost blindingly bright orange. Cars too (especially those known as ‘muscle cars’) would come in bold orange, or lime green and even unabashed purple.

I remember the cool guys on the block that possessed these mean machines, whereas my dear bαbά (dad) drove us around – to Greek school, and to the Greek yiortes (parties), etc. in his beige Valiant Chrysler. I remember wishing it was a Charger instead! Nowadays such 70’s cars are quite expensive and much sought after.

The car back then, also brings to mind their radios (with knobs), that often blared out loud, rock music. Great Australian bands of the 70’s – like Skyhooks and Sherbet and so many more, found their way into our hearts, homes, and cars. If Dad were to get too hot and bothered (from my insisting on turning the music up), I’d open the little, triangular ‘wing window’ to let air in.

There was also the car’s glove box. When you flipped open the lid, it exposed drink (aka beer can) holders designed into it! Speaking of alcohol, how retro our parents parties seem, with the happy (and sometimes ‘respectably’ tipsy) Theies (aunts) and Thious (Uncles)!

At these parties, there was that monumental booze tub! The bathtub of the ‘Yiorti house’, filled with ice and loaded with ‘liquor all sorts’ – my play on the words ‘Licorice Allsorts’, one of the many varieties of sweets back then.

That brings me to the glorious milk bars, that sold our 5 cents worth of little, white paper bags of mixed lollies like Snakes Alive, and Freckles and Teeth and Musk Sticks … the list can go on and on. Not to mention the local milk bars’ savoury treats, like 20 cent Sausage Rolls and teeny tins of soft drink.

I almost forgot the big, glass, soft drink bottles with bright and beautiful lime, pineapple, raspberry, etc. that came to our door in crates via an open back truck once a week. We didn’t seem to obsess about the sugar or artificial colourings and flavourings back then. After all, we had Weight Watchers, or Limits biscuits to fall back on! And always at hand were those friendly dentists who tended to over insist that we needed more fillings.

Οur parents didn’t seem to obsess about as much back then, as we tend to today, We ate to our hearts content. When we, Greek families and friends got together, our tables were laden with food. A table, or even two were pushed together, loaded with glorious Greek foods like pastichio made by Thia Eleni (Aunt Helen), or the daintily hand-rolled, little dolmadakia that Thia Effie contributed to the trapezi (dinner table or buffet).

Most Thies and Thious were incidentally not blood relatives, but we referred to them as if they were. This symbolised the sense of community we had back then: real community – bonding, familiarity, with deep cultural and social, as well as strong one-on-one personal ties. A world in which the only ‘hi-tech’ gadget seemed to be a record or cassette player!

And then there were the phones – in a world before mobiles! I recently purchased one with a dial and beautiful curved handset like we had back home when I was growing up. Ours was a kind of olive green colour. This one is also olive green. Which reminds me … I better call my parents to see how they are. I guess the greatest things in life – retro or not, never change.

Excavation of Byzantine shipwreck in Aegean reveals 5th century ceramics

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The Culture Ministry of Greece has revealed after a 2021 excavation off the coast of Samos, that a number of ancient artifacts have been found in the Fourni islands complex, southwest of the island of Samos. 

Amongst the relics, almost fifteen ‘amphorae’ were found buried in sand along many table ceramics and wooden parts of a Byzantine shipwreck. The excavation site was dated between 480 and 520 AD, the Culture Ministry said. 

The ministry further revealed that this particular shipwreck was selected for further study due to the ship’s good state of preservation and its cargo, even though it was one of 58 that was found in the archipelago.

This shipwreck was found off the Fygos peninsula, off the east coast of Fourni. This area is known to be a sandy area with a sharply inclined seabed, which makes it one of the steepest and most inaccessible regions of the islands. 

The research that was conducted last year focused mainly on clearing the sand off the perimeter of the shipwreck and opening a trench to check the stratigraphy. This is where the artifacts were found. 

The type of Amphora that were found on this excavation trip have been linked to the city of Sinope on the Black Sea while the wreck contains six types of Amphorae from Crimea and Heraclea Pontica on the Black Sea coast. 

The shipwrecks approximate chronology includes the rule of Byzantine Emperor Anastasius I (491-518 AD), member of the Leonid dynasty who is linked to taxation and currency reforms. 

Underwater Ephorate archaeologist Giorgios Koutsoflakis headed the excavation with a team of 25 divers of several disciplines ranging from archaeology to conservation and photographers. This team carried out 292 individual dives amounting to nearly 220 hours of underwater work.

Source: AMNA

Lachlan Ilias and Katrina Ikonomou named on Sydney’s Inner West most influential list

Lachlan Ilias and Katrina Ikonomou have been named among Sydney inner west’s 30 most influential people 30 and under for 2022.

Who are they? The Greek Herald finds out.

Lachlan Ilias:

Lachlan Ilias, 21, is a star halfback at the South Sydney Rabbitohs after the departure of halfback Adam Reynolds.

Raised in Five Dock, educated at Trinity Grammar in Summer Hill, and a product of both the Wests Tigers and South Sydney academies, Ilias has the inner west in his blood.

Souths fans across the inner west will be eagerly anticipating seeing what Mr Ilias can do this NRL season.

Katrina Ikonomou:

Katrina Ikonomou, 24, is the current Inner West Young Citizen of the Year. She was awarded for her work as a social worker at Gunnawirra Mums to provide services to local young women and children.

The Inner West Council and many others have seen Ms Ikonomou‘s efforts to engage and connect clients to elders and cultural programs, as well as strengthen cultural identities and knowledge, and provide a platform for intergenerational learning and healing.

Source: The Daily Telegraph.

Tina Arena details how she felt Maria Callas ‘looking over’ her during amphitheatre performance

When Australian icon Tina Arena was invited by her good friend George Perris to perform with him at the Odeon of Herodes Atticus, she walked onto a stage that had been graced by the voice of so many historic voices. This includes that of the controversial 20th century opera singer, Maria Callas. 

Ms Arena reflected on her most memorable concert and lifechanging experience in an interview published in The Guardian Australia‘s series of ‘our favourite musicians.’ 

Ms Arena describes how although she’s been fortunate enough to play in venues such as the Sydney Opera House and the Royal Albert Hall in London, there was something “magical and mystical” about the Herodes Atticus.

“Performing in an outdoor stone auditorium – a Greek theatre in the true sense of the word – that is almost 2,000 years old, and to experience how the natural acoustics resonate, was a profound experience for me,” Ms Arena told The Guardian Australian.

The singer goes on to remember the massive poster of Maria Callas adorning the stage as she walked up to perform and says it was a “pinch-me moment.”

“I remember walking out there and having shivers,” she explains.

Odeon of Herodes Atticus in Athens.

“When I was walking out on stage with Maria Callas looking over my shoulder, I just thought: “Oh my god, this is really happening.” It was a pinch-me moment.

“When I stepped off that stage I was euphoric. Afterwards, we all went to dinner at a roof terrace restaurant that overlooked the Acropolis.

“We just sat out there and took in that extraordinary view and felt grateful to be alive.”

Source: The Guardian Australia

The Hellenic Initiative Australia announces four new grants for the vulnerable in Greece

The Hellenic Initiative Australia has announced four new grants totalling approximately AU$53,000, which have been awarded to Greek charities Emfasis Foundation, Ithaca Laundry, Mazi Gia to Paidi, and Wise Greece from its 2021 Winter Appeal.

The first round of grants to Emfasis Foundation ($10,000), Ithaca Laundry (€11,745), Mazi Gia to Paidi (€9,500) and Wise Greece (€6,000) will address food insecurity, provide basic necessities, help with utility bills and temporary accommodation for many vulnerable and isolated people in Greece.

“We wholeheartedly thank all our Winter Appeal donors as these grants to worthy charities in Greece would not have been possible without their generosity,” THI Australia President, Mr Nicholas Pappas AM, said.

Emfasis Foundation will support urgent cases requiring temporary accommodation for homeless and vulnerable people, help avoid the disconnection of utility services for families with minor children and elderly people with chronic health issues, and provide survival kits with food items, clothing and hygiene products.

THI Australia welcomes its newest partner charity, Ithaca Laundry, which has received a grant to enable a person from a disadvantaged background to be employed for twelve months as a driver of a mobile laundry van and participate in Ithaca’s reintegration program. This employee is responsible for the laundering of the clothing for the homeless in Athens.

Ithaca Laundry was founded in 2015 by three students who, after watching a program about a similar project in Australia, decided to create the first free mobile laundry for the homeless in Greece and Europe.

Ithaca aims to improve living conditions and increase social inclusion through hygiene services, reintegrate vulnerable people into the labour market, raise awareness about the problem of homelessness and poverty.

Each month a mobile laundry van receives approximately 250 visits by 100 beneficiaries. Clothes are left with the driver and volunteers and the beneficiaries collect their laundered clothing the same day.

Mazi Gia to Paidi will provide immediate relief to children and their families by providing 30 eligible family members with monthly supermarket vouchers for six months. Beneficiaries will also be able to seek the support of a social worker and the Counselling Helpline provided by Mazi Gia to Paidi.

Wise Greece will deliver approximately one tonne of food products to elderly residents at the Konstanteio Care Home in Kavala and one tonne of food products to young children living under the care of Kivotos tou Kosmou in Epirus and Kalamata.

Stergitsa Zamagias-Hill, THI Australia’s CEO, who is currently in Athens and has volunteered with several of its partner charities said, “it is saddens me to see so many elderly people who are on their own sleeping
rough in Athens and Piraeus while it is only 7 degrees.”

“The need for our support remains great during these challenging times. Australians should know our
partner charities will ensure that even the smallest donation goes a long way to helping vulnerable people in Greece.”

THI Australia has a secure online donation page and if you wish to donate to one of these partner charities
please do so. All donations of $2 or more are tax deductible in Australia.

Sofia Vembo: the Greek ‘Singer of Victory’

Sofia Vembo was a leading Greek singer and actress active from the interwar period to the early postwar years and the 1950s. She became best known for her performance of patriotic songs during the Greco-Italian War, when she was dubbed the “Singer of Victory.”

Early and Personal Life:

Sofia Vembo, who’s real name was Efi Bembou, was born on February 10, 1910 in Gallipoli, Eastern Thrace. After the Asia Minor catastrophe, her family moved to Tsaritsani in the prefecture of Larissa and then to Volos, where her parents worked as tobacco workers.

She started her artistic career by chance in 1930, singing in a patisserie in Thessaloniki to contribute financially to her home. 

Three years later, Sofia went to Athens where she was hired by businessman, Fotis Samartzis, from the Kentrikon theatre to participate in the revue “Parrot 1933.”

Sofia signed her first contract with the Columbia record company.

At the same time, she signed her first contract with the Columbia record company, performing love songs of the time and due to her special bass voice, the recognition did not take long to come.

All these years, Sofia maintained a relationship with the writer and lyricist, Mimi Traiforos, and finally married him in 1957.

Greco-Italian War and Theatre Work:

With the declaration of the Greco-Italian war in 1940, Sofia became a major inspiration to Greek soldiers at the battlefront with her performances of patriotic and satirical songs. At the same time, she offered 2,000 gold pounds from her own fortune to the Hellenic Navy.

Following the German invasion and occupation of Greece in April 1941, she was transported to the Middle East, where she continued to perform for the Greek troops in exile.

Sofia became a heroic symbol of the nation and was described as the “Singer of Victory.”

Sofia became a major inspiration to Greek soldiers at the battlefront.

After the war in 1949, she acquired her own theatre, the ‘Vembo Theatre,’ in the Metaxourgeio neighbourhood of Athens. At the same time, she laid the foundations of a new era for Greek song – “archontorebetiko.”

In 1959, Sofia starred in the movie “Stournara 288,” where she plays a famous singer who was forgotten by her fans and worked as a piano teacher. She later acted in the 1955 classic, “Stella,” and “Prosfygopoula” in 1938.

During the 1960s, she began to perform less and less, before finally retiring in the early 1970s.

In the period 1967-1974, she participated in the anti-dictatorship struggle. On the night of the Polytechnic Uprising, she opened her house and hid students, whom she refused to hand over when security knocked on her door.

Death and Legacy:

Sofia died on March 11, 1978 and her funeral turned into a rally.

Because of her role in the war and her efforts during the Axis occupation, she was awarded the rank of Major in the Greek Army.

Source: San Simera.

Westpac hits a wall in extraditing Bill Papas from Greece

A judge has expressed concerns Bill Papas’ extradition from Greece may fall in the “too hard basket,” The Sydney Morning Herald has reported.

This comes after several law enforcement agencies told Westpac they could also bring criminal charges against the alleged fraudster.

If Mr Papas were extradited to Australia to face the contempt of court charge, extradition law prevents Australian law enforcement agencies from prosecuting him for separate crimes.

READ MORE: Alleged fraudster, Bill Papas, makes girlfriend a director of Xanthi FC.

Also on Thursday, Federal Court Justice Michael Lee criticised Mr Papas’ claim he had been denied a fair hearing in a statement to The Age, The Sydney Morning Herald and 60 Minutes on Sunday.

Alleged fraudster Bill Papas in Greece. Credit: 60 Minutes.

“I have been deprived of the opportunity to fund any meaningful engagement with federal proceedings commenced by a well-resourced financial institution,” Mr Papas said through defamation lawyer, Rebekah Giles.

READ MORE: Bill Papas the focus of investigation by Australian current affairs show.

Justice Michael Lee said he noted this statement “with some degree of bemusement” as “Mr Papas did not seek to challenge the evidence.”

Mr Papas stands accused of forging signatures to fraudulently obtain almost $500 million in loans from Westpac and other banks. 

The trial is set down for three weeks beginning on October 10.

Source: The Australian.

Theodore Christopoulos faces court charged with kicking pregnant woman to force miscarriage

An Adelaide court heard on Wednesday that Theodore Christopoulos allegedly kicked his pregnant partner in the stomach while wearing steel cap boots with intent to kill her unborn baby, The Advertiser reports.

According to the newspaper, Mr Christopoulos was charged with administering poison on another person to procure miscarriage, aggravated causing harm with intent and two counts of aggravated assault.

The 48-year-old contests the allegations made against him.

Mr Christopoulos was granted home detention bail on Monday by Magistrate Paul Bennett.

Under the bail conditions, he will be living at a close family friend’s home in Lewiston and cannot make contact with the alleged victim or come within one kilometre of her home.

Mr Christopoulos will face the Adelaide Magistrates Court in May.

Under South Australian law, the charge relating to procuring a miscarriage can carry with it a term of life imprisonment if proven.

*UPDATED ON THURSDAY, JUNE 2, 2022:

Theodore Christopoulos has had all charges against him dropped during a court date in May. Full article can be found here.

Source: The Advertiser.

Greece’s Amanda Tenfjord releases her Eurovision entry ‘Die Together’

Greek Eurovision hopeful, Amanda Georgiadi Tenfjord, has released her Eurovision entry ‘Die Together’ today.

‘Die Together’ premiered on Greek broadcaster ERT’s show Studio 4 and featured an official music video which was filmed on the Greek island of Simi.

The song was composed by Tenjford and Bjorn Helgen, and is an atmospheric ballad about a dying relationship.

Who is Amanda Tenfjord?

Tenfjord — real name Amanda Georgiadis — is half Norwegian and half Greek. 

Born in Ioannina in Greece, when Tendjord was three years old her family moved to the small town of Tenfjord in Norway, where her artistic surname comes from.

There, at the age of 5, Amanda began piano lessons and became an amateur musician, writing her first songs as a teenager.

Amanda Tenfjord.

At the age of 18, she entered medical school without giving up her love for music by participating in many festivals in her country.

She mixes modern pop, folk, electronic and ambient in magical ways, delivering something distinctly polished with Nordic flair. You can hear that clearly on her debut EP First Impression, which showcases her raw talent in a beautiful way.

The 24-year-old was internally selected by broadcaster ERT to represent Greece at Eurovision 2022 after beating five other finalists.

Source: wiwibloggs.com.