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Leadership strain and workplace issues surface at GOCSA ahead of AGM

The Greek Orthodox Community of South Australia (GOCSA) is heading toward its Annual General Meeting (AGM) on Sunday, November 30 amid growing internal instability.

A wave of resignations, staff distress, workplace safety issues and a circulating letter from a concerned family member of a Community Care Services (CCS) client collectively point to an organisation perceived by some stakeholders and community members as facing governance challenges.

Since the leadership change in early 2025, reports of internal unease have gradually increased. What began as isolated reports has developed into a pattern of departures and concerns raised by some senior staff, frontline workers and members.

The executive committee is currently led by President Peter Ppiros, who was elected earlier this year.

Regulatory and governance alarms

In recent weeks, The Greek Herald confirmed that SafeWork SA attended GOCSA headquarters following issues raised with the regulator about psychological safety in the workplace. Sources say the regulator’s interest relates to allegations of unmanaged complaints, workplace stress and governance failures.

In a written response to questions from The Greek Herald, GOCSA President Mr Ppiros confirmed that SafeWork SA’s recent visit “is consistent with sector-wide initiatives aimed at ensuring workplace safety and compliance across South Australia.”

Mr Ppiros said “no significant breaches were identified,” and that the organisation used the opportunity to review procedures, conduct staff feedback sessions, reaffirm psychological safety policies, and engage external advisers to undertake risk assessments and recommend new training programs.

Mr Ppiros stated this forms part of its commitment to a safe and supportive environment for all staff.

Members have also expressed frustration that membership processing has become stagnant, with some applications reportedly awaiting review since before the recent election. This has prompted questions about whether procedures are being followed in line with the organisation’s constitution.

In response, Mr Ppiros stated that all membership applications undergo “rigorous review” under its Constitution. The Membership Committee holds absolute discretion to accept, reject or place applications in abeyance, in accordance with Article 4.

Several members also expressed their intention to seek clarification on the role and validity of the current Membership Committee at the AGM.

A surge of resignations and vacant roles

High staff turnover has marked much of 2025, particularly across senior and operational positions within GOCSA and Community Care Services. Departures have included the Media Communications Officer, Director of Nursing, Community Manager, Head of HR and others.

The General Manager and Chief Financial Officer are currently on stress leave, adding to concern about leadership continuity.

More recently, GOCSA’s Vice President, Stan Salagaras, resigned – the latest in a series of senior exits.

Several operational roles within Community Care Services, including the Clinical Nurse, Compliance Officer, Finance Officer and Roster Coordinator, also remain unfilled, which some staff say is increasing workload pressures.

In his response, Mr Ppiros acknowledged “some staff turnover this year” but stressed that continuity of service is a “key organisational objective.”

He said all departures are “treated respectfully,” and claimed exit interviews are conducted where possible, with all formal complaints “follow(ing) established procedures.” Mr Ppiros noted that recruitment for multiple roles is under way to ensure uninterrupted community support.

Workplace environment and conduct

Individuals familiar with the internal environment describe what they see as rising dysfunction and mistrust. According to accounts provided to The Greek Herald, some staff believe a small internal cohort has been exercising disproportionate influence over operations, creating uncertainty for staff and adding to wider organisational instability.

Staff also report that some complaints may be going unanswered and that communication issues are affecting day-to-day operations.

“The Executive Committee assures staff, members and the wider community that stability and effective governance are paramount,” Mr Ppiros said.

“Recent audits, governance updates, and policy reforms have strengthened accountability. These matters, as well as workplace culture, community care and membership processes, are scheduled as agenda items for open discussion at the AGM. All members are encouraged to attend and participate.”

Letter signals pressure on Community Care

Issues within the organisation now appear to be affecting client experiences as well, particularly among elderly community members relying on Community Care Services.

The Greek Herald has sighted a letter circulating among stakeholders, written by a woman who claims to be a family member of a CCS client. The correspondence highlights her concerns around oversight and consistency of service delivery.

The writer describes unanswered calls, uncertainty about who is managing care, and occasions where support workers attending Greek-speaking clients did not speak Greek. She also questioned the qualifications of some remaining staff.

“We do not know who to contact,” the letter states. “After several attempts there are no follow-ups… I am worried for my mother and for other clients.”

Mr Ppiros said the GOCSA “remains committed to quality organisational oversight marked by integrity,” supported by scheduled quality reviews aimed at improving service continuity and CCS operations.

Mr Ppiros said recent improvements have included strengthened reporting procedures and enhanced client engagement sessions. He stated that stakeholder feedback is welcomed, and that when concerns or allegations arise, management initiates formal internal reviews and may engage independent auditors where necessary.

“Families are always encouraged to contact GOCSA directly to ensure concerns are addressed professionally in a timely manner,” he added.

Members seek clarity ahead of AGM

In the lead-up to the AGM, members are seeking clear information on staff turnover, workplace complaints, SafeWork SA’s involvement and the status of membership processing under the constitution.

Families and community members have also voiced concerns about continuity of care, transparency and overall organisational direction.

The perception among many is that GOCSA is facing a period of significant uncertainty, prompting calls for clearer communication and stronger accountability.

How the Executive Committee addresses these issues will be central to restoring confidence and determining the organisation’s ability to move forward as a stable and functional community institution.

President Mr Ppiros said GOCSA acknowledges that “change can be challenging,” and expressed gratitude for the engagement of members, staff, clients and partners since the Board’s election in January 2025.

He said the Board welcomes constructive feedback “in a framework of respectful dialogue” and remains accessible through established communication channels.

He added that GOCSA will continue providing community updates “in a spirit of transparency and in the interests of progress and organisational improvement.”

Rhythm and rising talent: Inside the artistry of drummer Damascus Economou

When thousands descended on Brighton-Le-Sands for the 2025 Greek Fest @ Bay Street, much of the attention centred on the energy pulsing through the crowd – an unmistakable heartbeat shaped by one of the festival’s standout young performers: percussionist Damascus Economou.

Sharing the stage with some of the biggest names in the Greek Australian music scene, Damascus delivered a dynamic performance that blended tradition with contemporary flair, capturing the very essence of what the festival represents: heritage, community, and the evolving sound of Greek culture in Australia.

For the rising musician, the day marked not just another gig – but a milestone in his artistic journey.

A childhood immersed in music

For Damascus, rhythm isn’t something he learned – it’s something he grew up inside of.

“I have been surrounded by live music my whole life,” he tells The Greek Herald. “Growing up, I have been fortunate enough to watch the best of the best musicians in Sydney, who had and still have inspired me to become a constantly improving musician myself.”

damascus economou
Damascus has been surrounded by live music his whole life.

His passion for percussion began early, sparked by watching his now-mentor and teacher.

“At a young age, watching a freak drummer like George Constantinou (who would later be my drum teacher) absolutely mesmerised me,” he explains.

Other influential figures shaped his technique along the way – Foti Lambis, Savva Jordanou, Johnny Vavasis, Chris Lironis and Chris Theocharides – along with the countless musicians he has observed both in Australia and Greece.

Performing in local bars, clubs, beach venues and even traditional paniyiria abroad deepened his cultural connection and “broadened my love and respect for Greek music and culture furthering my motivation to be the best I possibly can be.”

A dream realised on Bay Street

For many young diaspora musicians, sharing the stage with Sydney’s Greek music icons is a long-term dream. For Damascus, the Greek Fest @ Bay Street made that dream a reality.

“Being given the opportunity to perform at the Greek Fest @ Bay Street was a true highlight of my career thus far. Being in the company of such amazing musicians was a dream come true,” he says.

“I’ve always looked up to them, dreaming to one day share the stage with them, and the Bay Street Festival gave me that opportunity.”

damascus economou
Playing at the Greek Fest was a dream come true for Damascus.

Performing alongside major figures such as Thanasi Pylarinos and Telly Benetatos – artists he describes as “integral” to the Greek music scene in Australia – was both surreal and motivating.

“It makes me motivated to hopefully inspire the younger generation just like those who inspired me,” he says.

damascus economou
Thanasi Pylarinos (left) and Damascus go a long way back.

Blending old and new: A unique sound

One of the hallmarks of Damascus’ musicianship is his ability to honour traditional Greek rhythms while infusing them with modern influence.

“Having been exposed to a vast variety of genres… 50’s rock and roll, 80’s funk, modern day house music… have allowed me to blend different styles in with the traditional and even modern Greek beats and rhythms,” he explains.

He credits artists like The Beatles, Luther Vandross and Santana for sparking curiosity that pushes him to experiment.

He constantly asks himself: How can I modernise without losing authenticity?

The answer lies in a sound that appeals equally to younger festival-goers and older generations – something he clearly achieved on Bay Street.

A brotherhood of musicians

Some of the most meaningful moments of the day came from performing alongside lifelong friends and collaborators, including Kosta Benetatos and Georgio Svolos.

“Kosta and I have grown up playing music together… at various birthday parties, christenings, weddings and other private events,” he says.

“I have the same relationship with Georgio Svolos… Georgio has played an important role in my musical journey so far, playing the sort of ‘older brother’ role, constantly helping me improve my craft.”

The festival deepened those connections.

“I am honoured to call these two amazing musicians my friends and I pray that we are able to continue to make people smile by doing what we love,” he says.

A deeply Greek connection

For Damascus, playing Greek music is not just about performance – it’s about identity.

“Immersing myself in the Greek culture and community growing up has allowed me to gain the ability to connect with other members of the Greek community on a deeper level,” he says.

Speaking the language, understanding the history, and knowing the stories behind the lyrics all shape how he plays.

During the Bouzouki Entertainment set, that connection became electric.

“I was able to join the people on the dancefloor… while we were all singing and dancing with smiles from ear to ear. To me, this is what makes music and performing my true passion,” he says.

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Damascus will never forget Greek Fest.

Standout moments

Of all the highlights, one stood above the rest.

“A special moment for me was performing alongside Johnny Vavasis,” he says. “In September 2012, I first saw Johnny play at a wedding and have since looked up to him. To be able to share the stage with him at the festival was such a special moment for me.”

But nothing compares to seeing the familiar faces in the crowd.

“Looking into the crowd and seeing my family and friends all with smiles, clapping, dancing and singing… Without the people around me constantly supporting me and pushing me to be better in all aspects of life, I doubt I would be where I am today,” he says.

Percussion as identity

Reflecting on his journey, Damascus sees drums and percussion not just as instruments – but as teachers.

“Drums and percussion have played such an important role in shaping who I am today. It has allowed me to express myself through music,” he says.

“Being a drummer forces you to be disciplined and structured, supporting the rest of the band… creating a symphony that the crowd can enjoy.”

It’s that sense of discipline, expression and shared joy that continues to drive him forward.

A rising star with deep roots

The Greek Fest @ Bay Street was a major moment for Damascus – but it’s clear it’s only the beginning.

Grounded in Greek heritage, shaped by musical mentors, uplifted by friends and family, and fuelled by a deep love for rhythm, Damascus is part of a new generation redefining Greek Australian music.

And if the Bay Street crowd was any indication – his beat is only getting stronger.

Sydney Olympic FC appoints new President Chris Charalambous

Sydney Olympic Football Club has entered a new era of leadership, announcing the appointment of Chris Charalambous as its new President, effective immediately.

The decision was finalised at the Club’s most recent board meeting and comes just days after outgoing President Damon Hanlin confirmed his resignation.

Charalambous, a longstanding contributor to the Club with deep ties to coaches, players and the wider Sydney Olympic community, steps into the role at a significant moment of transition.

“It’s a great honour to be appointed as President of Sydney Olympic Football Club,” Charalambous said. “I am committed to advancing our football program, supporting our members, and fostering a culture of excellence and inclusivity. Together, we will strive to achieve success and make our club a source of pride for our community.”

Charalambous paid tribute to Board members Matt Phelps and Rodolf Salem, saying he looked forward to working with them – as well as with all coaches, players, members and parents – to advance the Club’s strategic direction.

Youth-first strategy continues under new leadership

In announcing the new President, the Board reaffirmed its commitment to a youth-led football model.

“As advised previously, the strategy of the club places youth development at its core,” the Board said in a statement. “Our aim is to build a sustainable pathway for young players, increase retention, and foster both technical and personal growth. This will set the foundations of a sustainable football club for the years to come.”

Sydney Olympic FC will release further updates in the coming days, including new appointments to the Board, coaching staff announcements and the introduction of club ambassadors.

Hanlin’s departure marks end of an influential tenure

The leadership shift follows the immediate resignation of outgoing President and Director Damon Hanlin, who announced his decision on Wednesday morning. Hanlin said the choice came after “careful consideration.”

“It has been a privilege to serve on the Board of one of Australia’s most historic and respected football clubs,” he said. “During my time as a Director, I have been proud to contribute to initiatives that strengthen the club’s future, support its players, and deepen its connection with the community.”

Hanlin said stepping down was difficult but necessary for the Club’s growth.

“This decision was not made lightly, but I believe it is the right time for me to step aside and allow new voices and perspectives to help guide Sydney Olympic into its next chapter of growth and success,” he said.

Resignation follows expansive AGM discussion

Hanlin’s departure comes shortly after Sydney Olympic FC’s wide-ranging AGM on October 28, where he and the Board provided a comprehensive update on finances, governance, youth pathways and the Club’s long-term direction.

Members heard that Sydney Olympic remains solvent and financially stable, with senior men’s football to return to Belmore Oval in 2025.

Updates were also given on the NPL strategy, rising operational costs, community engagement challenges, the National Second Tier, and ongoing discussions with the Australian Olympic Committee over branding.

The AGM also introduced newly appointed director Rodolf Salem and outlined renewed commitments to transparency, unity and improved governance.

A pivotal moment for the Club

Hanlin expressed gratitude to fellow board members, club officials, players, members and supporters.
“Sydney Olympic will always hold a special place in my heart, and I remain a strong supporter of its continued success on and off the field,” he said.

With Charalambous now stepping into the presidency, Sydney Olympic FC enters a new chapter defined by youth development, renewed direction and a strengthened focus on community.

The Club will continue to update members as key appointments are finalised.

Hellenic Art Theatre to premiere new comedy ‘Uncle Costa and Parthena’

The Hellenic Art Theatre is preparing to bring laughter, chaos and classic Greek family humour to the stage with its latest production, ‘Ο Μπάρμπα Κώστας και η Παρθένα’ – ‘Uncle Costa and Parthena’, written by Greek Australian playwright Koula Teo and directed by Stavros Economidis.

The new season will run from 21 November to 7 December 2025 at the Greek Theatre – Mandouridion, located at Addison Road Community Centre in Marrickville, Sydney.

The play will be performed in Greek with English surtitles, ensuring both Greek-speaking and non-Greek-speaking audiences can enjoy the performance.

This witty comedy follows Uncle Costa, an unpopular, garlic-loving bachelor who suddenly reappears from Greece and moves back into his brother’s home – a decision that horrifies his sister-in-law and his niece and nephew.

His only supporters are his brother and a spinster neighbour until an unexpected windfall turns Costa into everyone’s favourite relative. How he handles this sudden turn of fortune forms the heart of the show, promising plenty of twists, laughs and heartfelt moments.

The talented cast includes: Mimika Valaris, Hayden Tsavalas, Anna Giovanaki, Dimitris Daviskas, John Daviskas, Evelyn Tsavalas and Foula Morfiadis.

Event Details

  • Dates: 21 November – 7 December 2025
  • When: Fri & Sat at 7.30pm | Sun at 5pm
  • Where: Greek Theatre – Mandouridion, Building 36, Addison Road Community Centre, 142 Addison Rd, Marrickville
  • Cost: $35 adults | $30 concession | $15 children under 12. Discounts available for groups of 10 or more.
  • For tickets contact 0413 989 007 or visit this website

Audiences are encouraged to book early for this lively, heartwarming production celebrating Greek Australian storytelling at its funniest.

Greek judge Catherine Koutsopoulou elected to UN Dispute Tribunal

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Greek judge Catherine (Aikaterini) Koutsopoulou, currently head of the Administrative First-Instance Court of Athens, has been elected by the UN General Assembly as a part-time judge of the United Nations Dispute Tribunal (UNDT).

Her non-renewable seven-year term begins on 1 July 2026.

She is only the second Greek judge ever appointed to the UN’s internal justice system, following Spyridon Flogaitis in 2000.

Koutsopoulou was selected from a record 391 applicants across 79 countries, progressing through written exams, interviews and integrity checks to become one of five part-time judges chosen.

With 15 years’ experience in administrative and disciplinary justice and expertise in asylum and migration law, she also serves as President of the European Region and global Vice-President of the International Association of Refugee and Migration Judges.

Her work with the ECJ, ECHR, Council of Europe and UNHCR, along with her PhD and post-doctoral research in EU and international law, has shaped her profile. In 2022, Greece’s Migration and Asylum Ministry honoured her with its Medal of Honour for outstanding judicial service.

Source: AMNA

More than 1,100 Greeks adopt new digital will system in rapid first weeks

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Greece’s new online platform for registering wills, diathikes.gr, has drawn unexpectedly strong participation, with more than 1,100 people using the service in its first ten working days.

Instead of keeping handwritten wills at home, citizens are now depositing them directly with notaries, a shift legal experts say strengthens security and reduces future disputes.

The system has dramatically accelerated procedures: six wills were formally published in the platform’s first days, a process that previously could take up to 18 months.

By transferring responsibility from the courts to notaries, heirs can now obtain the necessary documents within days, easing pressure on Greece’s already overburdened judicial system.

Eleni Kontogeorgou noted that the platform also improves the ability to locate wills, saying it offers easier searches “both within Greece and abroad.”

The Ministry of Justice is now considering expanding the system to cover deaths before 1 November 2025, as around 14,000 older wills remain stuck in court queues.

Source: tovima.com

Greek maestro appointed Wuppertal Opera’s new Principal Conductor

Oper Wuppertal earlier this year announced the appointment of Yorgos Ziavras as its new Principal Conductor, marking an important addition to the company’s artistic leadership.

Ziavras, 35, originally from Greece, joins Wuppertal following his successful tenure at Theater Krefeld/Mönchengladbach and an already distinguished presence in Germany’s contemporary and classical music scene.

His work with orchestras, ensembles, and opera houses across Europe has established him as a conductor with a clear artistic profile and a strong commitment to modern repertoire.

He opens his first season in Wuppertal with Gioachino Rossini’s Il barbiere di Siviglia on November 29. Over the course of the 2025/26 season, he will lead an additional five premieres, further shaping the musical direction of the house.

About Yorgos Ziavras

Greek-German conductor, based in Cologne and Wuppertal Germany. Since 2025 he is the principal conductor of Oper Wuppertal, and the Symphony Orchestra of Wuppertal.

He studied conducting with Prof. Michael Luig at the Hochschule für Musik und Tanz in Cologne, piano in Athens under Elisabeth Kounalaki and in Cologne with Paulo Álvares, as well as architecture at the NTUA in Athens.

He began his collaboration with the Theater Krefeld / Mönchengladbach in 2014, as a member of the renowned Opernstudio Niederrhein. Within five years, he rose to the position of Deputy Principal Conductor.

He is the founder of CoGNiMUS Collektiv and is also active in the contemporary music scene. In 2019 he founded ÉRMA Ensemble with fellow specialists in contemporary music.

Since 2017/18 he is guest conductor of the Greek National Opera, while he has also conducted numerous symphonic orchestras and ensembles in Greece and Germany, including Sinfonieorchester Wuppertal, Philharmonie Südwestfalen, Niederrheinische Sinfoniker, Südwestdeutsches Kammerorchester Pforzheim, Ensemble MusikFabrik, Greek National Radio Symphony Orchestra, Athens Philharmonia Orchestra, City of Athens Symphonic Orchestra,  ERGON Ensemble, TETTTIX and others.

In 2020/2021 he received a scholarship from the Ministry of Culture of the State of North Rhine-Westphalia (Germany). Since 2023 he and his ensemble ÉRMA have held a scholarship from InSzene – Podium Gegenwart of the Deutscher Musikrat. During his tenure at Theater Krefeld/Mönchengladbach (2020), he was awarded the Förderpreis for his artistic excellence by the “Freunde der Musik” association.

Structural concerns force temporary closure of Louvre’s Greek ceramics wing

The Louvre has temporarily closed its Campana Gallery after an internal audit uncovered structural concerns in beams supporting the floor above the space.

The gallery, which showcases ancient Greek ceramics, will remain shut while engineers investigate “certain beams supporting the floors of the second floor,” the museum confirmed.

The second-floor area, currently used as office space, is being cleared, with 65 staff relocated.

The closure is unrelated to last month’s dramatic robbery in which a four-person gang used ladders and angle grinders to steal jewellery worth an estimated $102 million, but it adds to scrutiny of the museum’s condition and security.

Earlier this year, Louvre director Laurence des Cars warned of a “proliferation of damage in museum spaces, some of which are in very poor condition,” noting that some areas were no longer watertight and faced major temperature fluctuations that “endanger the preservation of artworks.”

The museum said the Campana Gallery will remain closed “as a precautionary measure” while assessments continue.

Source: yahoo.com

Menelaos Raptis’ discovery of oxygen in early-universe galaxies reshapes cosmology

Menelaos Raptis, a Greek physics student at Franklin & Marshall College, has detected oxygen in two galaxies from 12 billion years ago, a breakthrough scientists say offers rare insight into the chemical makeup of the early universe.

Working with a team analysing James Webb Space Telescope data under physics professor Ryan Trainor, Raptis published the findings in The Astrophysical Journal Letters in a paper titled “CECILIA: Ultra-Deep Rest-Optical Spectra of Faint Galaxies at Cosmic Noon.”

“This study pushes the boundaries of what we know about some of the faintest, smallest galaxies in the early universe – over 10 billion years ago,” he wrote on LinkedIn.

The detection marks the first time oxygen has been observed in such distant, low-mass galaxies, allowing researchers to trace the element “back to the universe’s earliest stages.”

“It is like watching the Universe take its first breath – like a newborn child,” Raptis told ERT News.

Raptis, who grew up in Thessaloniki, has been involved in space science from a young age, from earning the title of youngest European Space Ambassador in 2017 to taking part in robotics competitions and NASA’s Hackathon. At F&M, he also promotes STEM opportunities for young people.

His discovery opens new avenues for studying early cosmic conditions and the potential for life in the universe. Raptis hopes one day to become an astronaut, following the path of ESA astronaut Thomas Pesquet.

Source: tovima.com

‘Diabolical’: Cumberland Cr Steve Christou condemns move to hand out Indigenous flags

A heated debate erupted at Cumberland Council on Wednesday night after a proposal to hand out Australian flags for the 125th anniversary of Federation was amended to also include Aboriginal and Torres Strait Islander flags.

Councillor Steve Christou led the opposition, attacking the amendment as “woke” and “diabolical”, and accusing councillors of “eroding the nation” and causing division.

Christou argued residents should receive only the Australian flag and criticised the idea of distributing three flags as confusing and unnecessary.

Despite his strong objections and exchanges with councillors Ahmed Ouf, Diane Colman and others, the council voted 9–6 in favour of offering all three flags.

The clash added to a series of polarising issues Christou has fought on this year, including anti-racism signage, the Acknowledgement of Country and National Anthem protocols.

Source: The Daily Telegraph