Greek Australian creates artwork to ‘bring home’ message of Parthenon Sculptures

·

A rising star in the art world, Greek-Australian artist, Anthony Tartaglia, has released a new artwork, ALONE, in response to heightened calls for the reunification of the Parthenon and Acropolis Sculptures.

In a poignant and striking rendition, and in his signature urban Melbourne style, the widely recognised ‘missing Caryatid’ – who sits alone in the British Museum – tells her story from across the globe in an emotive exchange with the artist as she implores for her return.

Approached by The Australian Parthenon Association (APA) in late 2022, Melbourne-based Anthony says he was deeply honoured to be asked to support the global cause surrounding one of the world’s most significant artworks.

“I was overwhelmed when members of the APA saw in my work exactly what I was trying to portray, and I was overjoyed that the story I was trying to tell was seen by the right people.

“When we discussed if I would be interested in creating a piece about the fate of the cultural artworks from the Acropolis, I couldn’t wait to start,” Anthony says.

“The APA relay their messages through words, intellectual debate and lobbying and they’ve worked alongside key international figures. But they had heard of my passion for classical Greek art and when I learnt more about theirs, they fuelled a fire within me to join the cause.”

Greek-Australian artist, Anthony Tartaglia.

Renowned Australian author, public figure and APA Chairman, David Hill, says the association is thrilled with Anthony’s piece and delighted with his interpretation, adding what better way could there be to ‘bring home’ the message of the looted Caryatid and the Parthenon Sculptures, than through art itself.

“The Greeks have been calling for the return of the Sculptures for the past 200 years.

“These are the most important surviving ancient artworks of the world and represent an extraordinary age of achievement for mankind,” says David.

“To see a new generation of Greek-Australian artists recognise this and to have talent such as Anthony join the fight for restitution is fantastic.”

The 1.5m high x 900mm wide painting features the ‘stolen’ Caryatid with her sisters faded in the background, weeping for her to return and be by their side. ‘Take me home’ is one of the first things that can be read and an old-school postage stamp branded with the words ‘Made in Greece’ draws further attention to the issue.

There is also an owl, the symbol of the goddess Athena, who herself is the symbol of Athens, and an olive branch which was added as the artwork neared completion – an unusual process for Anthony who typically experiments with elements and features before he commences painting.

“I chose the Caryatid because she’s the most recognised symbol of the stolen Greek artefacts and especially because she’s one that is completely separated from any collection, whether it be that in the British Museum, or that back home in Athens.

“Each of the Caryatids is also different to the next and in fact she’s also my favourite of all the sisters,” Anthony says.

“As I painted her, I could feel her own desire to be reunited with her sisters and their longing for her to return.

It’s as if she and I were in conversation and she was begging, ‘take me back to my homeland’.

“I could feel that her sisters were missing her, and that bringing her home doesn’t need to be a cause for any further tension or debate. It’s why the olive branch was painted on as I was finishing, because it’s not only a symbol of Greece, but it’s a symbol of peace, and that’s what the sisters and all of us want.”

Anthony’s inclusion of the five Caryatids that have remained in Athens aligns with the current Greek
Government’s Ministry of Culture key call to action, which stresses the importance of reunification.

“There is no doubt that you are awe struck when you first see the Caryatid and the Parthenon Sculptures
wherever that may be,” says Anthony.

“In my case, I’d been to the British Museum a few years before I’d visited the Acropolis Museum. While I was very excited to see the UK held collection for the first time, I remember becoming quite agitated and unsettled.

“A few years later when I saw the Acropolis Museum and its true and real homage to the Parthenon and the Erechtheion directly behind it, when I saw what these great ancient wonders looked like and what they were supposed to look like if they’d been left intact and as a whole, I thought back to the separated Caryatid and this really upset me.

“I now feel relieved and proud and hope that in some way by creating ALONE I can add to the legacy of my ancestors, and that I can be a part of the reunification story that’s bigger than all of us.”

ALONE took Anthony more than 30 hours to complete and is currently being prepared for display at various art exhibitions. The piece will eventually be placed for sale but Anthony says it will only go to an owner who can honour its purpose.

The Caryatid and Parthenon Sculptures were removed from the Erechtheion and the Parthenon temples
between 1801 to 1812.

“It is widely accepted there was no altruistic purpose for their removal, other than to adorn the country
residence and gardens of Thomas Bruce, 7th Earl of Elgin, Britain’s then ambassador to the Ottoman occupiers of Greece,” David says.

“While we cannot change history, we can right its wrongs, especially in an era where we’re increasingly
unifying globally to rectify mistakes of the past.

“The Sculptures belong to all humanity, but they remain and are indisputably the cultural heritage that belongs to and is inextricably linked to the modern Greeks,” says David.

Along with the missing Caryatid, there are approximately 200 pieces from the Parthenon currently held in the British Museum that are being requested. Australians wishing to support the call for reunification can reach out to the APA at australiansforparthenon.org.

Advertisement

Share:

KEEP UP TO DATE WITH TGH

By subscribing you accept our Terms of Service and Privacy Policy.

Advertisement

Latest News

Spurs sack Ange Postecoglou despite Europa League glory

Tottenham Hotspur have confirmed that Ange Postecoglou will not continue as manager next season, despite ending the club’s 17-year trophy drought with a Europa...

Meet TIFANY: The Greek Australian artist making waves in RnB

Are you looking for your new favourite Greek artist who combines unique sounds of RnB, house and EDM music?

Heirs of a Greek inheritance: Most common problems to deal with

There are many people of Greek descent all over the world whose parents or other close relatives had properties in Greece.

Niki Louca shares her family favourite Indokaridopita (coconut cake) recipe

It is a cake her aunty Panayiota used to make often in years gone by, and one she hasn’t had for a long time.

Naz Vardar to give Melbourne seminar on shaping Vlach identity

The focus lies on the story of a Vlach priest navigating his way within the local Vlach community in Manastir (Bitola).

You May Also Like

Peter Dutton MP marks Greece’s National Day with message to Greek Australians

Australia’s Leader of the Opposition, Peter Dutton MP, has sent message to Australia's Greek community to mark Greek Independence Day today.

‘Opou Gis Kai Patris 2’ returns to Sydney for highly-anticipated follow-up performance

The Greek theatre production 'Opou Gis Kai Patris' is set to return for its highly anticipated sequel, 'Opou Gis Kai Patris 2.'

Impact of increased panic buying in Australia shown in photo of Woolies worker in tears

Panic buying in Australia has led to newfound violence and sadness in communities, with the worker in the image being dealt the full brunt.